In Jogajog (Relationships), the heroine Kumudini—bound by the ideals of Śiva-Sati, exemplified by Dākshāyani—is torn between her pity for the sinking fortunes of her progressive and compassionate elder brother and his foil: her exploitative, rakish, and patriarchical husband. In it, Tagore demonstrates his feminist leanings, using pathos to depict the plight and ultimate demise of Bengali women trapped by pregnancy, duty, and family honour; simultaneously, he treats the decline of Bengal's landed oligarchy.[70] The story revolves around the underlying rivalry between two families — the Chatterjees, aristocrats now on the decline (Biprodas) and the Ghosals (Madhusudan), representing new money and arrogance. Kumudini, Biprodas' sister, is caught between the two as she is married off to Madhusudan. She was brought up in a sheltered home where she had followed the traditional way of life and observed all the religious rituals like all the other womenfolk in the family.
Others were uplifting: Shesher Kobita (translated twice as Last Poem and Farewell Song) is his most lyrical novel, with poems and rhythmic passages written by the main character, a poet. It also contains elements of satire and postmodernism; stock characters gleefully attack the reputation of an old, outmoded, oppressively renowned poet who, incidentally, goes by the name of Rabindranath Tagore. Though his novels remain among the least-appreciated of his works, they have been given renewed attention via film adaptations by Satyajit Ray and others: Chokher Bali and Ghare Baire are exemplary. In the first, Tagore elaborately records early 20th century Bengali society, through his central character, the rebellious widow, who wants to live a life of her own. In writing this novel he exposes the custom of perpetual mourning on the part of widows, who were not allowed to remarry and were condemned to a life of seclusion and loneliness. It is a melancholy, stirring tale of the deceit and sorrow that arise from dissatisfaction and sorrow. Tagore has said about the novel, "I have always regretted the ending". Their soundtracks often feature rabindrasngit. In the latter work, it illustrates the battle Tagore had with himself, between the ideas of Western culture and revolution against the Western culture. These two ideas are portrayed in two of the main characters, Nikhil, who is rational and opposes violence, and Sandip, who will let nothing stand in his way from reaching his goals. These two opposing ideals are very important in understanding the history of this region and its contemporary problems. There is much controversy over whether or not Tagore was attempting to represent Gandhi in Sandip but many argue that Tagore would not even venture to personify Sandip as Gandhi because Tagore was a large admirer of Gandhi and Gandhi was anti-violence while Sandip would use violence in any respect to get what he wanted. Tagore wrote many non-fiction books, writing on topics ranging from Indian history to linguistics to spirituality. Aside from autobiographical works, his travelogues, essays, and lectures were compiled into several volumes, including Europe Jatrir Patro (Letters from Europe) and Manusher Dhormo (The Religion of Man). A brief conversation between him and Albert Einstein, "Note on the Nature of Reality", is included as an appendix.
সর্বশেষ এডিট : ০১ লা এপ্রিল, ২০১১ সন্ধ্যা ৭:৩৪